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Showing posts with label Modern Myths. Show all posts
Showing posts with label Modern Myths. Show all posts

Tuesday, 15 November 2011

Canongate Book 6 - Where Three Roads Meet

I made this: BookElf at 2:55 pm 0 comments




Yes, you're right, this is the wrong font...
Don't worry! We don't want to confuse you even more!! This is BookElf! AR has very kindly allowed me in on her Canongate Challenge, as Salley Vickers is one of my favourite writers, so I'm barging in here and reviewing her interpretation of the Oedipus myth.





Background to the Myth - Oedipus

Laius, King of Thebes, visits the oracle at Delphi who tells him that any son born to him shall kill him. When his wife Jocasta bears him a son, he pins his ankle together so he cannot crawl and they abandon him on a mountain side. However, the servant sent to leave the baby instead gives him to a shepherd to look after. Eventually the baby is adopted by the King and Queen of Corinth, who have no children of their own, and is named Oedipus. When he is grown, Oedipus hears rumours that he adopted and goes to ask the oracle, who tells his he is destined to kill his father and marry his mother. Oedipus flees Corinth and the people he presumes are his real parents, and travels to Thebes. On the way he meets Laius, with whom he argues and kills in self defence, not knowing this is his natural father.
When he arrives in Thebes Oedipus defeats the Sphinx, a beast part woman, part lion, who asks all travellers the riddle 'what travels on four legs in the morning, two in the afternoon and three at night', eating anyone who gets it wrong. Oedipus solves the riddle, and the Sphinx throws herself over a cliff. The grateful people of Thebes, who have no idea who Oedipus is, appoint him their king, and marry him to the widowed Jocasta. Many years later, when Jocasta and Oedipus have had many children and a happy life together, a plague comes to Thebes. Creon, Jocasta's brother, is sent to the oracle, who says that Laius' killer must be banished before the pestilence can leave the people. The blind prophet Tiresias is sent for, and reluctantly reveals that Oedipus is the killer. Then a messenger appears to tell of the death of the King of Corinth. Oedipus is momentarily relieved that the prophecy he will kill his father has not come true, when the messenger reveals that Oedipus is adopted. Jocasta, realising that Oedipus is her son, hangs herself.
After consulting with the shepherd who was charged to abandon him as a baby, Oedipus realises he has killed his father and marries his mother. He blinds himself with a pin from Jocasta's dress and spends the rest of his days wandering Greece, guided by his faithful daughter Antigone.


*****

The Review

*****SPOILERS***
*****SPOILERS***

*****SPOILERS***

Now me with my classical background know Oedipus through the play Antigone, which I was forced to do at school (awful thing), but of course the name is more familiar to modern audiences as a complex, named by Freud for the 'unnatural' longings of a man for his mother and subsequent hatred of his father. Whether or not you think this is bollocks is up to you, but it makes a good story, and this is what Vickers has used; bringing the myth back to being just that. It is 1939 and Freud is lying on his death bed, suffering from the cancer of the mouth that has plagued him for nearly twenty years. He is visited by a strange shadowy figure, sometimes speaking Greek, sometimes English, who tells him, over the last months of his life, the story of Oedipus. This figure is revealed to be Tiresias, the prophet, who reveals his own life story alongside that of his master.

The language is stripped bear, and plods along, much like a Greek tragedy (can you tell how much I loved doing Greek at school?) and the myth that Tiresias tells isn't so very different from the original; this isn't a re-telling, just a telling. That, though,is what Vickers does so well; by reclaiming the myth as a story from Freud the usurper who is so successful in skimming the plot that the metaphor becomes more famous than myth.

I really really wish I hadn't read the introduction to this novella that explains the history of Freud's exile from Europe and his subsequent illness as this is the book's main flaw; it utterly fails to show, not tell. By being a dialogue between Freud and Tiresias all subtlety in introducing Freud's deathbed status is lost-what could have been a evoking tale of a man nearing death and learning from his mistakes becomes instead an almost homage to the myth and it's history, with nothing really changed or brought forward into modern time. This again fits with the Greek, but isn't very exciting to the reader. It also feels a little like Vickers is trying to show that the myth is ancient in origin and that should be respected, but it wasn't at all a fun way of bringing new readers to old tales.

I was, to be honest, bitterly disappointed by this book. Vickers usually takes her inspiration from great pieces of art, the inside front covers of her earlier novels show their inspiration so I thought the idea of re-telling a myth would suit her. But this instance the idea is better than the execution and whilst I still love her writing, I wouldn't be recommending this one.

Ongoing Challenges - Table of Contents
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Monday, 7 November 2011

Canongate Book 5 - Dream a little dream of me...

I made this: Unknown at 10:08 pm 0 comments
After some delay; the next book in the LeedsBookClub Canongate Challenge was Dream Angus by Alexander McCall Smith. 

A huge fan of Alexander McCall Smith (Please read his wikipedia page - he is fascinating); I discovered the No 1 Ladies Detective Agency a few years ago and read about six books in the series over one weekend, so enchanted by the world and characters described. I deliberately left this book until I had written a less than glowing review as I knew that this would be just fantastic and accessible. 

Additionally, Aengus is one of *ours* - an Irish myth - and one of the most beautiful, magical and transformative of them all. As frivalous cruel and thoughtless gods go; Aengus is a cuddily cuddily teddy bear.   

Background to the Myth -  Wandering Aengus

Usually in this section; I clarify the myth, so that the modern telling has a comparative base. I'm half tempted not to do so in this case.
True McCall Smith mixes the modern with the mythical - wandering in directions not consistent with the original story. However the broad strokes he makes are very in tune with the stories I grew up hearing and reading.
It's a dilemma!
Aengus is the child of the Dagda (I shall keep the definitive article thank you!). The Dagda deceived the water spirit Boann, tricking her to take advantage of her. Both were part of the ancient race known as the Tuatha de Danann - the magical children of the goddess Danu. However; the Dagda couldn't quite conceive and run. Boann's husband Nechtan would have been furious and kicked up all sorts of fuss - so the Dagda froze time; leaving the sun still in the sky for nine months. Aengus was therefore conceived and born in a single day. Granted, a long day; but still just the one.

Upon his birth; the Dagda tore the baby from his mothers arms and dumped him on one of his other sons, Midir. Boann was heartbroken but unable to act without raising the suspicions of her husband. Midir - thankfully - was a decent and honourable god who raised the boy in a warm and loving home. He was honest with him about his parentage though Aengus never had any reason not to love his step father.

Aengus was a happy child, smart and resourceful. As he grew; he was handsome and brave. Though deeply loyal to Midir - he was also pretty disgusted at the behaviour of his real father. Upon reaching his maturity; he conned the Dagda - pretty much as described in the book; so I won't ruin it for you - and took over his domain.

However; the reason that he is the god of dreams relates to his own love life. Aengus was a bit of a looker; friendly and open with more than his fair share of charm. Women flocked to him - knowing that although he would never commit to them - he would bring good fortune and love their way.

One night however, Aengus had a dream more vivid than any he had ever experienced. He was visited by a woman so beautiful that she took his breath away. After many months of interacting with her only in his sleep; Aengus became morose and introverted. His mother and father both searched Ireland for a year before they tracked this elusive maiden down. Even then Aengus had to identify her out of 150 other women, and defeat a curse, and transform himself into a ....

See; protecting you from spoilers again. 

Long story short; Aengus was one of those gods with a fingers in a lot of different mythical pies. His influence and his magic can be seen throughout Irish lore; interacting with (or related to!) most of the Tuatha de Danann. 
*****
The Review 
*****SPOILERS***
*****SPOILERS***
*****SPOILERS***
The book can be broken into two. On the one hand; there is the life story of Angus - from conception to marriage. On the other; his influence in more contemporary life stories. 
I can't fault the story of Angus at all. It's all here - and McCall Smith breathes life and humour into his characters - from father Dagda to duped mother Boann with a light and simple touch that feels utterly in line with the oral tradition from which the story emerged. I  occasionally found the dialogue to be a little stilted; but ultimately I very much enjoyed his take on this old story. 

Between the recitation of Angus' life are snippets in time - this time the timeline is our everyday world. Angus walks amongst us, unrecognised but still performing his ageless tasks. 

He gives sweet dreams for sweet resolutions; promotes true love; highlights that decency towards any living being (PIGS!) demonstrates an inherent good will and proving that for the right reasons; people will cross any line to protect the one they love - be that love sexual, romantic or fraternal.

It's funny. I've always loved Aengus/Angus. He is one of my favourite mythical characters. I loved his sly way of looking at the world; his odd solutions to seemingly insurmountable problems. I still do. 
But... But...
McCall Smith manages to capture the essence of the original tales and transpose these into an up to date setting. However; the amortily of the gods; their callous and cold thought processes are jarring in the contemporary. 
Whlie the style of the writing is breezy and the stories are - on the surface of it - light and fluffy; there is a bite in the tale. Just like in the best fairytales there is a sinister edge that creeps over your subconscious. I wasn't even aware of it unil I put the book down. Then little flashes of creepy would make me shiver.

What's that line from the musical? 'Dreams come true, not free'...

A fantastic read. 

Go.

Read.

Now!!


  
Perhaps the best known version of Aengus was written by W.B. Yates - see poem here


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Canongate

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Ongoing Challenges - Table of Contents
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Saturday, 1 October 2011

Canongate Book 4 - And we'll all go together....

I made this: Unknown at 12:05 pm 0 comments
Next up on the LeedsBookClub Canongate challenge was The Helmet of Horror by Victor Pelevin.

Victor Pelevin is a Russian author, famed for his work in the SF genera; so I approached this book with very high hopes. I was also very curious as I've heard that his style is to use multi-layered
philosophical techniques, designed to encourage the reader to create their own fiction, heroes and universe out of his words.

On the other hand; somewhat dampening my enthusiasm; the Minotaur and Labyrinth myth was one I LOATHED when I first encountered it, primarily due to it's (to my mind) unnecessarily tragic conclusion.

Background to the Myth - Theseus and the Minotaur
(I'm going to try to nut shell this origin story in particular.
Binu focused on a particular time frame of the original myth, the Penelopiad followed the myth into the underworld and Girl meets Boys related the myth in its entirety. This book seemed to borrow certain motifs from the original myth - most obviously the minotaur and the labyrinth - without aligning the plot in any way with the storyline.)

King Minos and his wife had many children. The eldest - Androgeus - grew into a particularly talented and skilled athlete. More than that, he was intelligent, resourceful and charismatic. One year, he decided to travel to Athens and compete in the Pan-Athenian games, held only one year in five. 
Androgeus dominated every sport that he participated in. He won not only every title but also the hearts and minds of the viewing crowds. Every one in fact, except the other competitors, who became so enraged that they assassinated him. 

The King promptly gathered his fleet, set sail for Athens and demanded that the city hand over the murderers or dire consequences etc etc. Not knowing exactly who had preformed the dastardly deed, King Aegeus instead surrendered the entire town. King Minos considered for some time and set his conditions. Every Great Year (that's seven for the uninitiated) the seven bravest youths and most beautiful maidens were to be sent to Crete...never to be seen again.

Henri Matisse
It transpired that somewhere down the genetic line, the King and Queen had a rather unusual child. A human from the neck down, the child had the head of a bullock and was known as the Minotaur. He was sent by his parents to live in the Labyrinth. The 14 Athenians were dumped into the labyrinth, presumably to satiate his monstrous appetite (which now I think of it is considerably creepier than when I was ten...) 

After three cycles, the prince of Athens - Theseus - decided that enough was enough. He would go as part of the sacrificial youths and slay the beast. He promised his father that if he succeeded, he would fly white sails - so that his father would instantly know that he was returning. 
I think it's fair to say, Theseus would probably not have succeeded if he hadn't had the luck to charm the Princess Ariadne. Presumably she wasn't too well up on her own family tree as she aided Theseus in freeing the 13 other youngsters and killing her brother - the Minotaur - utterly betraying her father and mother. 

She then fled with Theseus to Crete with her younger sister. 
Actually, she didn't. Thesesus dumped her on the island of Naxos and she cursed her former lover. As a result he forgot to change the sails of his boat from black to white and his father - believing the worst - threw himself off a cliff in despair at having lost his son. 
Theseus returned home, victorious but devastated.   


*****

The Review 

*****SPOILERS-ISH***
*****SPOILERS-ISH***
*****SPOILERS-ISH***

 
What a weird book. 
Ok. Part of me thinks that this is one of the best stories I've ever read (barring the ending). Another part of me is still bogged down in the myriad of possible explanations - desperately trying to work out what the hell was going on. A third part thinks that while it was a noble effort, Pelevin just don't quite hit the nail on the head.

Very much in the here and now; the book is set in cyberspace. Correction - it is set in a closed corner of the cyber world. One little conversation thread in fact. 

Eight characters wake up one morning (or do they?) and find themselves in a small room (or are they?) - with only a computer for company (or...you get it right?). They are unable to contact the outside world, only able to commune with one another. Through dreams, exploration of the available outside world - which seems to consist of a giant labyrinthine complex and a sweet/horrid love affair we discover more about the characters and their lives, opinions and philosophies.

The solutions offered depend very much on their personality of the one proposing it; which in turn seems to be influenced by the name they are allocated. For UGLI666 - seeningly a religious fundamental throwback - every thing is dripping in sin. Romeo and Isolde - influenced no doubt by their tragic romantic name inspirations - every event reinforeces the possibility of a romantic or physical connection.

So far, so awesome. But then...I don't know. It just doesn't work. Every time it looks like we're getting somewhere, Pelevin runs off on a comedic tangent - which is actually quite amusing, but ultimately frustrating. While I liked the idea of the Minotaur's head being a virtual reality headset - and it was discussed in some detail - the explanation was either adopted or dropped entirely by the second half of the book - I just couldn't tell which. I really enjoyed the interchanges between the characters; but due to the linear nature, I'm not sure I actually engaged with them the way I was supposed to.

For all of the philosophising; it feels like the author is afraid to commit - the sheer number of possibilities renders the labyrinth meaningless. Without one fixed point to work from or on, the story descends into surreality.  


I'll definately read more of Pelevin's work in the future. Hopefully this was a forey in a new direction and that his previuos works feel less artificially light and comedic; offering a read with more bite.  

Ongoing Challenges - Table of Contents
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Thursday, 22 September 2011

Canongate Book 3 - It's a long and winding road...that brings me home

I made this: Unknown at 7:47 pm 0 comments
Deciding to tackle the great unknown next; I choose to read Su Tong's Binu and the Great wall of China as my third Canongate Challenge.
While long fascinated by China, I know very little about the country, it's culture or its mythology. I studied a very specific time period for my history leaving certificate (A Level equivalent) and have read Wild Swans and a biography of Mao. Other than that...well I grew up watching Monkey... Fun...but hardly a definitive look at this rich and diverse land.
  
With the two previous books I've read in the Canongate Myth series; I've been familiar with the original stories so have read the book first; then refreshed on the myths. This time round; I thought it best to do a little research before getting stuck in.  

Background to the myth - one of China's four great myths

In ancient times (or about 260BC); a childless couple known as the Meng's lived next door to the Jiang's, who were also without any offspring. They were friendly towards one another for many years. 
One day, Old Man Meng planted a gourd vine along the fence that divided their respective properties. In time, the vine grew, hanging over into the Jiang garden, producing a large gourd. 
The couples decided to split the gourd in half and share the fruit. 
When they broke it open - to their delight - they found a beautiful little girl inside. Their jubilation gave way to anger as both families decided that they would adopt the child and raise her as their own. 
Eventually, neighbours were drafted in to broker a peace between the two. After much negotiation; it was decided that both families would raise the child, who was named Meng Jiang Nu. 

Meng Jiang grew up into a stunning young woman. She fell in love and became engaged to Fan Xiliang. Tragedy struck when - on the day of their wedding - soldiers arrived and conscripted Xiliang to build the Great Wall. Labouring on the Wall was known to be brutal with a high mortality rate due to starvation and deprivation. 

After waiting a year with no word from her husband, Meng Jiang decided to to go to the Wall and check on him. She travelled a vast distance and arrived, only to be told that Xiliang had died. To her disgust; his bones were entombed along with many other unfortunates in the Wall - he hadn't even been allowed a decent burial. Meng Jiang began to wail and threw herself against the wall, hitting it with her fist. A huge chunk of the Wall cracked open - revealing many skeletons. Unsure of how to continue, Meng Jiang bit her finger, drawing blood. She went to each skeleton in turn, touching them with the bloody tip - praying to the gods for a sign. One of the skeletons absorbed her blood and she knew that she had finally found her beloved. Throwing herself onto the bones; she clung to them; sobbing as though her heart would break all over again. 

The angry Emperor of Qin Dynasty rode to the Wall to survey the damage. He was furious up to the moment that he caught sight of Meng. Enchanted by her beauty; he promptly demanded that she marry him. Realising her precarious position - then (as now) it wasn't wise to show disgust at the actions of powerful men - Meng Jiang agreed on three conditions. Firstly, Xiliang was to be given a grand funeral. Secondly, the Emperor and his court had to go into mourning for his memory. Finally, she wanted to be taken to the sea. 

Though the Emperor was reluctant to be seen mourning the loss of a labourer; he agreed. As soon as Meng Joang was taken to the sea, she turned on the Emperor and berated him for his selfish actions. She then threw herself into the sea - in some versions transforming into a silver fish. The Emperor was determined to possess her - even in death - and send his men to find the body. The waves rode up against them. The Dragon King of the Sea and his daughter were so impressed by Meng Jiang's fidelity that they protected her. 

A thousand years after her death; the temple of the Lady Meng Jiang was established at the eastern beginning of the Great Wall where it is maintained even now.  


*****

Review

*****SPOILERS*****
 *****SPOILERS***** 
 *****SPOILERS***** 
Not sure what to think to be honest. I've actually looked up a few reviews online to see what the consensus has determined (which I've never done before and shall never do again!) and have ended up more confused than before! 

Don't be fooled by the fairytale title on the cover. Su Tong does not present the myth as I've described it above. Rather this is a tale of a lowly and often despised woman, turned into an outcast by her love for her husband. For a short story, I felt emotionally wreaked by the end of it. Though there are whimsical elements - the frog, the weeping from any part of the body bar the eyes and the dream sequences - it also packs quite an effective political punch, highlighting the distance between the King building the Wall and those forced to labour on it.

In the Peach Village where Binu is raised; women are not allowed to shed tears for any reason, leading to some imaginative and inventive alternatives. Binu was in the process of being taught to cry with her hair but her mother passed away, leading to her perpetually weeping. She marries a lowly orphan with whom she is very happy. He is taken away one morning to work on the wall. Binu is horrified that he doesn't have any winter wear and swop's all of her worldly possessions for a coat that she decides to bring to him herself. 

The rest of the village women who have also lost the men in their lives are threatened by her devotion and treat her horribly. The wise women she visits for advice promise her that she will never return from her journey alive and that no one will make plans for her burial. She heads out without any support and only a reincarnated blind mother in the form of a frog to keep her company. Almost immediately her coat is stolen and she is violently attacked. A little later she is kidnapped, then almost put to death as a sacrifice; then accused of immorality; is nearly raped before finally being found guilty of assisting an assassin.

Though she manages to escape; she reaches the wall only to discover that her husband is dead. At this point; she is barely able to move and is unable to communicate effectively with other people. She climbs atop the wall and her constant tears damage the wall. An overseer runs down to the worker below - warning them that the wall is crumbling and the dead rising.

And so her journey, and the story, ends. Though this is a poignant point to finish at - I rather wished that Binu could have had her revenge on the tyrant who's ambition destroyed so many families.

Although the characters that she meets en route are vibrant and often mystical; I did not find - as many others seem to - that this tale is one of a triumphant honest and enduring human spirit over-coming all evil and woe to achieve her goal. While she does reach the wall, I cannot claim that this is ultimately an uplifting or optimistic tale. While Binu demonstrates fidelity and honour; the true nobility of those who refuse to give up and other inspiring sort of noises; she is repeatedly left disillusioned, at one point to the brink of suicide, at the cruelty demonstrated quite casually by the human race.


I found this to be a heartbreaking tale; the sort that should be absolutely avoided like the plague if you're in a blue mood. There is no hope, no sense of determination that can make up for the pervasive evil that the world and it's inhabitants demonstrate time and again. Though this is a translation; the writing is poetic and beautiful. My only complaint is that the dialogue seems somewhat stilted and abrupt.

I think that I would read more of Su Tong...but I'll leave it a while. Too too sad.  

Ongoing Challenges - Table of Contents
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Wednesday, 14 September 2011

Canongate Book 2 - The Girls watch the Boys watch the Girls go by...

I made this: Unknown at 6:41 pm 0 comments
While we at Leeds Book Club have always been delighted to fly the Rainbow Flag, I have to admit, I've always felt a tad out of the loop regarding the issues. 
Though I passionately believe in equality regardless of gender, orientation, age or racial origin, I'm rarely challenged or confronted over the mere act of being me. Over the years, a number of authors who have focused (not necessarily exclusively) on equality issues have been recommended to me.

My response usually follows this pattern  - I read the blurb; announce loudly that it looks fascinating; that I need to learn more about the particular focal point; that it's clearly an essential read; add said book to my mountain-like to-read pile; turn my back for a mere matter of months (or years) and find that it's slowly disappeared into the mire - never to see the light of day again. Acclaimed authors such as Colm Toibin, Sarah Waters, Louise Welsh, Alan Hollinghurst to name a few have all been consigned to this fate, despite my best intentions.

When I realised that Ali Smith had produced a book for the Canongate Myth Series, I was at once delighted and relieved. I've heard positive reviews from so many friends. I've enjoyed her book reviews in the Guardian, intending several times to pick up one of her books.
Finally, I would DEFINITELY read one.
Finally, I would feel a bit more informed.


Background to the Myth - Iphis
The myth of Iphis, as told by the Roman Ovid, is one of transformation and metamorphosis. It is also one of the few Greek tales about interactions between mere mortals and the gods that avoids violence or bloodshed. 

Isis and Iphis by Bauer engraving
Iphis was a daughter of a Cretan family. Immediately prior to her birth, her father had warned his wife that he would only raise a son - any daughter would have to be killed. The distraught woman - already somewhat attached to the child she carried - travelled to a temple and begged the gods for advice. She is told by Isis to raise the child regardless of its gender, vaguely assured that everything will work out well. Once Iphis is born, she is brought up as a boy - the secret kept between mother and daughter. (I'm sensing a rather absent father figure here!)

Iphis grows up and falls in love with one of her classmates. After negotiation; a marriage is arranged. Iphis becomes concerned before the ceremony and flees to the temple with her mother. She cries out to the gods, bemoaning her life as a fraud - terrified that she is certain to be discovered. Her mother adds her voice to the pleas. In a dramatic moment, the goddess Isis appears and before her mothers eyes, Iphis changes into a man - able to marry her love. 


*****


Review

*****MILD SPOILERS*****
 *****MILD SPOILERS***** 
*****MILD SPOILERS*****
Anthea and Imogen are very different sisters. They are back living in their home town - in the house they were raised in; inherited after their eccentric grandparents sailed off to Europe on a whim and were never seen again. 

Imogen works for the marketing department for Pure - a bottled water company in Inverness. Anthea attempts work experience there before discovering that she disagrees with everything Pure stands for and rather dramatically chucks it in. 
While Imogen is slowly losing herself to her work place, societal expectations and an eating disorder; Anthea discovers love with an eco-warrior - Robin. (Who happens to be female.) It is Robin who tells her lover Ovid's myth of Iphis.
This love story informs the action that takes place within the novella. The love story is not the point, rather it is the  catalyst necessary for the sisters growth. While Anthea embraces the warrior within herself; Imogen is forced to confront her worth and that of the corporation she works for and realise her true value.



It transpires that I had somewhat over thought my approach to this book. Although the author is a gay woman; this is not a 'gay' book. It's not a 'mainstream' one either. It is, in fact, an incredibly well written, engaging and lyrical novella. Despite it's brevity; the author manages to express social, political and gender issues with a subtle and light touch. It is a pleasure to read.   

At no point did I ever feel that there was an agenda within the book - rather Girl Meets Boy focuses on the unique and beautiful inter-relationships that can occur between people irrespective of gender or sexual orientation. Each chapter is told by one of the sisters. Anthea is a dreamer, with a solid voice - relating her thoughts in an upfront manner. Imogen voice is initially more obscure - her thoughts are often coded in brackets and repetitive phrases - particularly in relation to her sisters emerging (bi)sexuality. However; once she has had her moment of realisation; her voice - distinct and unique - emerges in a structurally beautiful and poignant way.

I read Girl Meets Boy in one sitting; shifting on my sofa only to prevent a limb from falling asleep. I didn't even think to refill my coffee - which, if you know me at all, is the strongest statement regarding to my enjoyment of the book that can be made. Ali Smith has a fresh and vibrant writing style. I look forward to reading more of her tales in the future.  

Ongoing Challenges - Table of Contents
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Monday, 12 September 2011

Canongate Challenge!

I made this: Unknown at 9:21 pm 0 comments
Having enjoyed the Penelopiad so much, I've decided to read the rest of the modern myth Canongate series. 

Launched in October 2005, this project co-ordinates simultaneous worldwide publication of each book in the series. 


From the website:
Myths are universal and timeless stories that reflect and shape our lives — they explore our desires, our fears, our longings, and provide narratives that remind us what it means to be human.The Myths series brings together some of the world's finest writers, each of whom has retold a myth in a contemporary and memorable way.

 1. 2005 A Short History of Myth - Karen Armstrong
 2. 2005 The Penelopiad - Margaret Atwood
 3. 2005 Weight - Jeanette Winterson
 4. 2006 The Helmet of Horror - Victor Pelevin (trans.)
 5. 2006 Lion's Honey - David Grossman (trans.)
 6. 2006 Dream Angus - Alexander McCall-Smith
 7. 2006 Anna In w grobowcach Å›wiata - Olga Tokarczuk
 8. 2007 Girl meets Boy - Ali Smith
 9. 2007 Binu and the Great Wall - Su Tong (trans.)
10. 2007 Where three roads meet - Salley Vickers
11. 2008 Baba Yaga laid an egg - Dubravka Ugrešić
12. 2008 The Fire Gospel - Michel Faber
13. 2009 The Myth of Izanagi and Izanami - Natsuo Kirino
14. 2009 Orphans of Eldorado - Milton Hatoum
15. 2009 The Hurricane Party - Klas Ostergren
16. 2010 The Good Man Jesus and the Scoundrel Christ - Phillip Pullman
17. 2011 The End of the Gods - A.S. Byatt


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Ongoing Challenges - Table of Contents
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Sunday, 14 August 2011

Canongate Book 1 - And now for something completely different...The Penelopiad

I made this: Unknown at 12:25 pm 1 comments
On twitter last week, I was asked to recommend some Margaret Atwood books to a friend. A daunting challenge because as soon as you name one of her stellar offerings; you instantly start thinking of another that's just as good!

Requiring a slight respite from all of my Southern Vampire Mysteries (Blood-A-Thon) which - though fun - have become a little repetitive of late; I decided to quickly dip into one of my very favourites - The Penelopiad. 

Released in 2005, this was one of a number of contemporary retellings of classic tales for the Canongate Myth Series. This international project aims to recruit the most vivid storytellers of the day to each recreate a particular story- with their own unique spin. So far authors as varied as Philip Pullman, Alexander McCall-Smith, Michel Faber and A.S. Byatt have contributed - though I have yet to try out any of their offerings. New challenge there I guess!

The Penelopiad takes on the myth of Odysseus' wife Penelope. She has long been regarded as the most faithful and devoted of wives, in contrast with characters such as Helen - considered beautiful but inadvertently (depending on the reading!) destructive. As with many female characters in mythology, Penelope's narrative seems determined by the role she plays in relation to her husband. 

Within the original myth however, there are a few unusual and disturbing factors that were never fleshed out satisfyingly - particularly relating to twelve of her hand maids, who are put to death by Odysseus upon his return. 

A Quick Background to the Myth

The Odyssey is one of two epic poems written by Homer. It is chronologically set after the Trojan war and focuses on the ten year journey home of Odysseus (Ulysses) to the island of Ithaca.

While he is travelling, his wife Penelope is left to manage the island. Odysseus is presumed dead and his wife and son - Telemachus - are forced to deal with the Mnesteres - 108 vying suitors for Penelope's hand in marriage. 

Penelope carrying the bow to the suitors
Unaware that Odysseus has returned to the island; Penelope devises a test for the suitors, who have at this point become openly threatening and violent. Only the man who can string Odysseus huge bow and shoot an arrow through a dozen axe heads is worthy of taking her husbands place.

Suitor after suitor fail at the task. Only the disguised Odysseus is victorious. He then immediately turns on the suitors and - with the assistance of his son and two faithful servants - cuts them down. As part of his cleanup operation he then hangs twelve of Penelope's hand maids for betraying the household by sleeping with some of the suitors before finally revealing himself to a distrustful and hesitant Penelope. Only after describing their marital bed to her does she  believe that her husband has truly returned home.

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Review

*****SPOILERS*****
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Margaret Atwood's novella explores Penelope's life through her own eyes - from her childhood, her relationship with the coquettish Helen, to her marriage, her life without Odysseus and even her afterlife in Hades.

As Penelope's narrator; Margaret Atwood  presents life on Ithaca in a detailed and human way. She also presents the actions and motivations of the hand maids which I won't divulge here as it's a pretty major spoiler, but it places a fascinating spin on the whole tale!

Between each chapter, the twelve handmaids murdered by Odysseus provide a choral commentary - discussing various topics from their perspective. Each of their interludes are articulated in a different way - a lament, a skipping rope rhyme, a folk song and a court trial amongst them. For me, some of these devices were more successful than others; but it was an excellent tool for allowing them to voice their regrets, fears and opinions with a group voice that remained fresh and vibrant.    

As is typical of an Atwood heroine; Penelope is intelligent, determined and honest throughout the tale. She admits her faults and mistakes readily enough and becomes so much more than a mere lesson in patience and fidelity.

I can't recommend this book highly enough. Then again, I can't recommend any of Margaret Atwood's writings highly enough!


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Canongate

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Sunday, 1 November 2009

Table of Contents - Ongoing Challenges

I made this: Unknown at 11:13 pm 0 comments

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Once Upon A Reading Challenge

2012 - Book 02 - The Iron King - Julie Kagawa 
2012 - Book 01 - A Feast of Crows - A Song Of Fire And Ice

2011 - Book 02 - The Borribles
2011 - Book 01 - The Looking Glass Wars

2010 - Book 03 - Reading the Greats
2010 - Book 02 - The Land of Ice and Fire
2010 - Book 01 - Percheron it!

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Mount TBR

Book 11 - Iris and Ruby
Book 10 - In Her Shoes
Book 09 - Virgin Widow
Book 06 and 07 and 08 - The Regeneration Trilogy
Book 05 - The Other Side of the Story
Book 04 - Frenchmen's Creek
Book 03 - Sidetracked 
Book 02 - Forbidden Fruit
Book 01 - The Shadow of the Moon by MM Kaye

 
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Canongate

Book 10 - The Good Man Jesus... - Philip Pullman - WSwanLBC
Book 09 - Weight - Jeanette Winterson - WSwanLBC
Book 08 - The Fire Gospel - Michel Faber

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Man Booker

Book 8 - Bring up the Bodies - Hilary Mantel - 2012 - GUEST
Book 7 - Sense of an Ending - Julian Barnes
Book 6 - The Sea, The Sea - Iris Murdoch - 1978 - MedusaLBC
Book 5 - The Life of Pi - Yann Martel - 2002
Book 5 - The Life of Pi - Yann Martel - MedusaLBC
Book 3 - Wolf Hall - Hilary Mantel - 2009 - Part 1

 

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