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these two amusements will never do any harm to the world.”
Showing posts with label Guest. Show all posts
Showing posts with label Guest. Show all posts

Sunday, 19 January 2014

Sharing Stories - Notes from an Exhibition - GUEST

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Leeds Book Club has been participating in the Arts and Minds Network's 2013 project on raising awareness of mental health issues. 

Now Fiona actually provided me with this MONTHS ago and it was lost in the wilderness that is my email inbox, languishing, wilting for lack of attention. I'm so glad that this review has finally found it's place in the sun as it's fantastic! Huge thanks to @MindFiona

NOTES FROM AN EXHIBITION
PATRICK GALE

BLURB (from Amazon)
From the author of A Perfectly Good Man, the bestselling story of an artist tormented by depression and the toll of creativity.
When troubled artist Rachel Kelly dies she leaves behind an extraordinary body of work – but for her family there is a legacy of secrets and painful revelations.
Rachel exerts a power that outlives her. To her children she is both curse and blessing, as they cope with the inheritance of her passions – and demons. Only their father's gift of stillness can withstand Rachel’s destructive influence and the suspicion that they all came a poor second to her art.
Piecing together the clues of her life – as artist, lover, mother, wife and patient – takes the reader from Cornwall to Canada across a span of forty years. What emerges is a tender story of enduring love, and a portrait of a family coping with the sometimes too dazzling brilliance of a genius.

When I volunteered to review one of the Sharing Stories books I ended up picking one that I knew nothing about. As the subject matter was quite heavy, I might not normally have chosen to read it. So it was with some trepidation that I started reading ‘Notes from an Exhibition’.

I was expecting to struggle through the book, however I found couldn’t put it down. 

The focus of the story is Rachel Kelly, an artist, her husband Anthony, and their children, Garfield, Morwenna, Heldley, and Petroc. Rachel suffers from bi-polar disorder and much of the story focuses on the tangle of her that, her art and family and the shifting pressures of them all. Though Rachel has the greatest share of the narrative, the story is seen from the perspective of all of the family members. Each chapter is prefaced with an ‘interpretation card’ from a posthumous exhibition of her works and items from her life -Hence, notes from an exhibition.

The book begins with Rachel at the end of her life and about to embark on a series of paintings we later learn are some of her greatest works. From there, the book follows the aftermath of her death for her husband and now grown-up children, whilst flashing back to significant points in all of their lives. I quite liked the structure. At first I found it a little disorientating but by the end appreciated the different perspectives. 

They rounded out the characters and showed the differences between how they behaved and how they felt. I also felt it gave the book more of a sense of hope. All the ‘notes’ say who donated which item in the exhibition, and the fact that the donors were able and willing to contribute is promising. 

The family isn't always a particularly likeable one; as individuals they are all flawed in some way, and all struggle to communicate with one another. Though Rachel undoubtedly loves her children, 
‘art was the one thing that stilled and focused her  impossibly restless personality; art won through where her family failed.’ 

Though art offers her respite, but it is occasionally her focus over everything else. She herself isn't sure of her motivation for coming off her medication whilst pregnant. It exposes her to a greater chance of post-partum depression but 
‘the glorious ascent before the fall and the work she could achieve in climbing made it worthwhile. Perhaps.’ 

She can be quite cruel at times; the incident on Morwenna’s tenth birthday stands out. However it is counterbalanced by chapters told from Rachel’s perspective. Though she herself admits she isn't always kind (‘she ignored him, and used to it, poor sod, he went away’) these chapters gave me more of an insight to the fragility she feels. 

One part that stood out for me was the account of a costume ball that Rachel attends with her friend/doctor Jack. She has finally been diagnosed, in part because of the support from Jack, and the (admittedly imperfect) sense of relief she feels really struck me 
‘She was not mad. She had a chemical imbalance that was controllable.’
The book isn't an easy ride, but I found it was worth it. I felt it gave me more insight into the complexities of living with mental illness. Gale presents all of the character’s as complex individuals, complete with flaws and virtues. As ‘Notes from an Exhibition’ made me want to read more by Gale I would definitely recommend it to others.

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Chat with Peter Bullimore
Mental Health Reading Challenge
Blurbs for the books!


Podcast with Tom at Arts and Minds Leeds

The List
Feb: The Silver Linings Play Book - Matthew Quick 
Mar: The Psychopath Test - Jon Ronson 
Apr: I had a black dog - Matthew Johnson 
May: Why be happy when you can be normal - Jeanette Winterson
Jun: Poppy Shakespeare - Clare Allan
Jul: 01 - Birthday Letters - Ted Hughes
Jul: 02 - Ariel - Sylvia Plath
Aug: Tender is the Night - F Scott Fitzgerald 
Sep: Day - A L Kennedy
Oct: Notes from an exhibition - Patrick Gale
Nov: A life too short - Ronald Reng 
Dec: Jane Eyre - Charlotte Bronte 


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Table of Contents - Guest Stars

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Guest Post - Evan reviews Russian Roulette by Anthony Horowitz

I made this: Unknown at 10:59 pm 0 comments
 Leeds Book Club are delighted to present one of our most popular writers - Evan Shelton. Evan happens to also be the youngest on our writing team.

Evan is an avid reader and enjoys reading and writing about books.


As always, huge thanks!





RUSSIAN ROULETTE
ANTHONY HOROWITZ


REVIEW

Russian Roulette is a spin-off of the hugely popular Alex Rider series of books, which I have read and are extremely good. It is about the life story of a Russian contract killer by the name of Yassen Gregorovich and what it would take him to kill. The way it fits into the Alex Rider series is that Yassen is hired to kill a fourteen year old Alex Rider.

It is a thrilling story of how a boy lived in poverty in a tiny village, saw everyone he loved die, turned to a life of crime in Moscow, had been in slavery and joined a worldwide crime organisation.

I think, in the book, Horowitz gets across perfectly that with Yassen (or anyone in fact) taking other people’s lives is the least natural thing anyone can do – it takes a great many horrific things for someone to become a killer.

I would highly recommend this book to an eleven to fifteen year old. All in all, I think this is a real page-turner style book which is certainly worth reading.


Other Posts by Evan
- Russian Roulette by Anthony Horowitz
Percy Jackson
Interview with Michael Morpurgo



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Table of Contents - Children's Corner 
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LBC 3Reads - Book 07 - The Wapshot Chronicles

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#LBC3Reads

Date:  19th of January 2014
Time:  11am - 1pm
Address: Unit 2
Munro House,
Duke St,
Leeds LS9 8AG




Book the 7th:



THE WAPSHOT CHRONICLE
JOHN CHEEVER


This write up was contributed by one of our regulars from memory as I was unfortunately unable to attend! Huge thanks!!

DESCRIPTION 
Based in part on Cheever’s adolescence in New England, the novel follows the destinies of the impecunious and wildly eccentric Wapshots of St. Botolphs, a quintessential Massachusetts fishing village. Here are the stories of Captain Leander Wapshot, venerable sea dog and would-be suicide; of his licentious older son, Moses; and of Moses’ adoring and errant younger brother, Coverly. Tragic and funny, ribald and splendidly picaresque, The Wapshot Chronicle is a family narrative in the tradition of Trollope, Dickens, and Henry James.

A few notes on our discussion today:

All of us were rather underwhelmed by Cheever, the book felt very disjointed. We all felt it was obvious that Cheever was more of a short story writer as the book was more a series of loosely connected episodes.  

We all felt that the story suffered from some of the authors personal issues with the women in his life & his conflict over his sexuality.

We felt that the descriptions in the book were good & that Cheever was good at evoking the sense of small town America.  

It was also felt that some of the blurbs on the book cover were rather misleading. The Wapshot Chronicle is not 'uproariously comic' as one claimed, but we felt is had a very dry black humour in places.  

The difference in book covers was also commented on, the most recent edition had an illustration of a scene that wasn't really in the book and again implied the book was more amusing & light hearted than it is. It was commented that if they had got the earlier edition with the black & white photo of a New England house they would have had different expectations going into the book.

SCORE - 5/10



Next Read - 
THE AWAKENING
KATE CHOPIN


Find fellow members on twitter by searching for #LBC3Reads.

Follow @Cafe164 for details on the deliciousables!

Let me know your thoughts by either tweeting me @LeedsBookClub, commenting below or emailing me at leedsbookclub@gmail.com



LBC3reads

07 - Jan - The Wapshot Chronicle - John Cheever
06 - ??? - Their eyes were watching God
05 - ??? - Mason and Dixon
04 - ??? - O Pioneer
03 - Jan - The City and the Pillar - Gore Vidal
02 - Aug - The Paris Wife - Paula McLain
01 - May - The Hound of the Baskervilles - Arthur Conan Doyle

An Idea Is Born - It's Book Club Jim, Just Not As We Know It


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Book Club - Table of Contents


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Thursday, 9 January 2014

Giraffe LBC - Children of Men Write Up

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Giraffe LBC


Date:  Tuesday 7th of October 2014
Time:  6pm - 8pm
Address: 6 Greek Street, Leeds, LS1 5RW
Tel: (0113) 244 1500


THE CHILDREN OF MEN

P.D. JAMES

* * * * * SPOILERS * * * * *
* * * * * SPOILERS * * * * *
* * * * * SPOILERS * * * * *

Huge thanks to the wonderful @AlisonNeale for providing this write up and co-ordinating the return of the Dystopian book club for 2014!

BLURB
The Children of Men is a story of a world with no children and no future. 
The human race has become infertile, and the last generation to be born is now adult. Civilization itself is crumbling as suicide and despair become commonplace. Oxford historian Theodore Faron, apathetic toward a future without a future, spends most of his time reminiscing. Then he is approached by Julian, a bright, attractive woman who wants him to help get her an audience with his cousin, the powerful Warden of England. She and her band of unlikely revolutionaries may just awaken his desire to live . . . and they may also hold the key to survival for the human race.
FILM BLURB
No children. No future. No hope. In the year 2027, eighteen years since the last baby was born, disillusioned Theo (Clive Owen) becomes an unlikely champion of the human race when he is asked by his former lover (Julianne Moore) to escort a young pregnant woman out of the country as quickly as possible. In a thrilling race against time, Theo will risk everything to deliver the miracle the whole world has been waiting for. Co-starring Michael Caine, filmmaker Alfonso Cuaron's Children of Men is the powerful film Pete Hammond of Maxim calls "magnificent...a unique and totally original vision.


We read the book and watched the film in this case, and unusually, they both have merit in different areas, although they bear little resemblance. It was noticeable that those of us who read the book first preferred it, while those who knew the film beforehand enjoyed its bleaker story line and cinematic beauty. It was also felt that the film was more representative of its time in terms of politics and attitudes, while the book was somehow timeless, or perhaps more accurately old-fashioned. The film felt more global, the book more local. In the film the baby needed to escape the UK, and thus Theo’s (the protagonist) role at the end had been played out; the book, conversely, kept the baby in the UK, so Theo had a new part to play, as protector.


This may have to do with the altered setting:
  • the film shows the country in a violent and dangerous flux after the discovery of the fertility problem, 
  • whereas the book seems to be set much later, when the ageing population has calmed somewhat and just wants to ensure a peaceful, safe existence, free from boredom.

One reader suggested that the book would have been more interesting without the baby, simply telling the tale of the demise of the human race until the lights went out. Certainly the disturbing idea of the Quietus - not used in the film - gives a glimpse of the brutal possibilities. So to a major criticism of the novel: coincidence. It was felt to be somewhat unrealistic that Theo just happened to know someone at the Quietus he attended. In a rather larger example, how fortunate that of all the women who could get pregnant, it was one of the rebel group. Some book clubbers pointed out that in the novel the population has shrunk significantly and society is very insular, so it is less unrealistic. The film does not suffer from this problem. In the novel, it is men who have become infertile - a clever device, as it narrows the window to recover the human race in a way that infertile women does not. The latter is the case in the film, which some felt disempowered women and at the same time changed the dynamic of the rebel group. The characters in the novel are thoroughly unlikeable, be it unpleasant or completely devoid of personality, and none of us felt any sympathy for them. Some readers pointed out that this would not have been a problem had they been interesting. Sadly, so often not the case. We agreed that the one character we really wanted to know more about was the Warden, whose motives were never entirely clear. Both novel and film were felt to be hyper-realisations of immigration policy. The film, with its detention centre, took this to extremes, while the book only mentioned in passing the trials and treatment of the ‘sojourners’. A good point was made that this element of the story could not have worked anywhere but on an island. British society has fought to retain the country as a last bastion of civilisation and hope, resigning itself to dictatorship in order to retain order. We had an intriguing conflict of opinion about Theo’s actions at the end of the book. Some of us felt that unpleasant as Theo was, it was only when he donned the ring at the end that he lost his morality and humanity; others disagreed, claiming that the ring was a temporary measure and his actions redeemed his earlier crime of wilful blindness. You’ll have to read the book yourself to decide! Criticism of the author’s repetitive style also caused discussion, with a few readers feeling that it built in atmosphere and emphasised the religious tone, while others claimed that it made the book more difficult (in one case impossible) to read. The religious theme and references throughout the book annoyed some readers (partly owing to recognising vaguely, but not fully understanding them); however, it was acknowledged that the author and any readers with a similar viewpoint would enjoy their significance. We felt that this dystopia was a realistic imagination of events that could genuinely come to pass, with some nifty nods to long-term British political issues. Our criticism was more of writing style than storyline, and this is reflected in our scores. The film probably won out in the end, though.

Score:


6/10

Our next read is Divergent by Veronica Roth!



Find fellow members on twitter by searching for #GiraffeLBC.

Follow @GiraffeTweet for details on the deliciousables and their projects nationwide.

Let me know your thoughts by either tweeting me @LeedsBookClub, commenting below or emailing me at leedsbookclub@gmail.com

* * * * * Giraffe LBC * * * * *

10 - FEB - Divergent - Veronica Roth 
09 - JAN - Children of Men - P.D. James GUEST

08 - OCT - High Rise - J.G. Ballard GUEST
07 - JUL - The Miracle Inspector - Helen Smith GUEST 
06 - APR - Logan's Run - Book and Film GUEST
05 - FEB - Watchmen - Comic and Film

04 - NOV - Brave New World - Aldous Huxley - GUEST
03 - OCT - The Iron Heel - Jack London - GUEST
02 - AUG - The Running Man - Stephen King
01 - JUL - Fahrenheit 451 - Ray Bradbury GUEST

How I learned to continue worrying and love the dystopian - GUEST

Saturday, 7 December 2013

Man Booker Shortlist - Book 06 - The Luminaries - Eleanor Catton

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WoodsieGirl's 
Man Booker
Challenge

Our good friend WoodsieGirl has read all the books on the shortlist for the Man Booker Prize for the last few years. This is not because she is an avid reader, with varied interests and is constantly on the lookout for new great fiction. She does this purely to mock my inability to organize my book list. Honestly. It's evil. 

Anyhoo, once again, she has kindly written up reviews of each book for us.  

THE LUMINARIES
ELEANOR CATTON


THE BLURB (Amazon)
It is 1866, and Walter Moody has come to make his fortune upon the New Zealand goldfields. On arrival, he stumbles across a tense gathering of twelve local men, who have met in secret to discuss a series of unsolved crimes. A wealthy man has vanished, a whore has tried to end her life, and an enormous fortune has been discovered in the home of a luckless drunk. Moody is soon drawn into the mystery: a network of fates and fortunes that is as complex and exquisitely patterned as the night sky. 
The Luminaries is an extraordinary piece of fiction. It is full of narrative, linguistic and psychological pleasures, and has a fiendishly clever and original structuring device. Written in pitch-perfect historical register, richly evoking a mid-19th century world of shipping and banking and goldrush boom and bust, it is also a ghost story, and a gripping mystery. It is a thrilling achievement for someone still in her mid-20s, and will confirm for critics and readers that Catton is one of the brightest stars in the international writing firmament.
THE REVIEW
When the Booker prize winner was announced, I groaned inwardly. Because of course, it was the one I hadn't read yet. The one I'd been putting off due to its daunting size. The one that had caused the library assistant who gave it to me to remark: "Oh, you're the one that reserved this! Good luck..." in a rather unnecessarily foreboding fashion.

I was a little surprised to see it announced as the winner, as it had seemed like the outside choice to me. Up against literary heavyweights like Jim Crace and Colm Toibin, I hadn't really thought the second novel of a relatively unknown young writer would stand much of a chance. I'd promised myself I wouldn't harp on about Eleanor Catton's age in the way ALL of the media coverage of her win did, but just allow me a moment here - she's twenty-sodding-eight and she's won the Booker prize! I'm 29 and have achieved precisely nothing with my life. NOTHING. *wails*

Ahem. 
Anyway, since I started reading this the day the winner was announced, I was very curious about what it would be like. This year's shortlist was exceptionally strong, so I thought this must be something truly special to have scooped the prize. I wasn't disappointed.

The Luminaries is astonishing. I found it a little slow-going at first - the first couple of chapters are heavy with exposition and introduce a truly dizzying array of characters that took me a while to get straight in my head - but it was well worth persevering. If it wasn't for the fact that I could only read this book at home (at 832 pages it was FAR too big to fit into my handbag and read on the train!) I'm sure I would have zipped through it in a few days.

In a way, I'm glad its size forced me to read it in small chunks, as it's the kind of story that really rewards slow, careful reading. I don't want to give away the plot here as it is so carefully, intricately unfolded as one character after another tells their version of events, the points of view overlapping and moving forwards and backwards in time until the full story gradually reveals itself.

Most of the reviews I read of The Luminaries mention its structure: twelve characters, their roles directed by their astrological charts; twelve sections to the book, each half the length of the section before so the book wanes in mimicry of the waning moon. I noticed this - it's hard not to notice the decreasing chapter and section lengths, and the character list at the front of the book lists each character and their astrological association - but I didn't find it as distracting or irritating as I thought I might when I first read the description of the book. In the hands of a less-skilled writer this could have been an obvious gimmick, but Catton weaves it in with enough skill that you stop noticing and just get carried along with the plot.

I was hugely impressed by the characterisation throughout the novel. There's a huge amount of characters to keep straight, each with their own distinct voice and motivation, but Catton succeeds in making each of them a fully-realised individual. I've seen some reviews that complain about their artificiality, but I rather thought this was the point: The Luminaries is a pastiche of a Victorian sensation novel, so the characters are by necessity playing certain archetypes. That doesn't mean that the characters are flat: on the contrary, Catton has created characters that feel like real people as well as playing well-worn roles.

The Luminaries is one of those books that had me rushing towards the end, while at the same time wishing it would last longer - quite a feat for a book of its length! As a final note on the size of it: I was tempted to get the Kindle edition once I saw the heft of the library hardback copy I borrowed, but I was glad I didn't in the end. The plot is so complex that I regularly found myself flicking backwards and forwards to remind myself of previous chapters and what other characters had said about the same events - and ebooks, unfortunately, don't really lend themselves to that kind of easy scanning! Plus, the hardback is weighty enough that, should someone have the temerity to interrupt you while reading it, you could beat them senseless with it. Which is always a useful feature of any good book, to my mind.



The @WoodsieGirl Challenge 2013

Shortlist 06 - The Luminaries - Eleanor Catton
Shortlist 05 - The Lowland - Jhumpa Lahiri
Shortlist 04 - We need new names - NoViolet Bulawayo
Shortlist 03 - A Tale for the Time Being - Ruth Ozeki
Shortlist 02 - Harvest - Jim Crace
Shortlist 01 - The Testament of Mary - Colm Toibin


The @WoodsieGirl Challenge 2012

Shortlist 06 - Umbrella - Will Self
Shortlist 05 - Bring up the Bodies - Hilary Mantel
Shortlist 04 - The Lighthouse - Alison Moore
Shortlist 03 - Swimming Home - Deborah Levy
Shortlist 02 - Narcopolis - Jeet Thayil
Shortlist 01 - The Garden of Evening Mists - Tan Twan Eng

Visit her blog HERE
Visit her other blog HERE

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WoodsieGirl Shelf - Table of Contents
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Guest Stars - Table of Contents
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Full - Table of Contents
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Friday, 29 November 2013

Table of Contents - The WoodsieGirl Shelf

I made this: Unknown at 12:49 am 0 comments
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The Woodsie Girl Shelf

You've probably noticed the wonderful reviews (and recent Man Booker Shortlist Challenge) cropping up by the fabulous WoodsieGirl (Laura) - book clubber, cake baker and Very Awesome Person. 

We've decided that it's only fair that we give her a little space...in the hopes of conning more stuff out of her! Ha ha, I'm only kidding of course. 
Honestly.

Being suspicious makes your heart smaller. 

Here you'll find all our WG reviews, poetry picks, playlists (as soon as I ask her)and more!

About our contributor (doesn't that look official!)
Laura, aka Woodsiegirl, learned to read almost before she could walk and has never quite recovered from the realisation that the real world isn't like the stories. She tweets occasionally as @woodsiegirl, and blogs about books and life (in that order)here.
Reviews
Mental Health Reading Challenge - The Psychopath Test
Giraffe LBC - 04 - Brave New World - Aldous Huxley

Poetry Picks
In Mouldy Land - Terry Jones


Shortlist 06 - The Luminaries - Eleanor Catton
Shortlist 05 - The Lowland - Jhumpa Lahiri
Shortlist 04 - We need new names - NoViolet Bulawayo
Shortlist 03 - A Tale for the Time Being - Ruth Ozeki
Shortlist 02 - Harvest - Jim Crace
Shortlist 01 - The Testament of Mary - Colm Toibin


Shortlist 06 - Umbrella - Will Self
Shortlist 05 - Bring up the Bodies - Hilary Mantel
Shortlist 04 - The Lighthouse - Alison Moore
Shortlist 03 - Swimming Home - Deborah Levy
Shortlist 02 - Narcopolis - Jeet Thayil
Shortlist 01 - The Garden of Evening Mists - Tan Twan Eng

Contact Details
Say hello on Twitter - @WoodsieGirl
Visit her blog - WoodsieGirl - HERE
Visit her other blog - WoodsieGirl Writes - HERE

Recipes
Sweet Tooth

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Guest Stars - Table of Contents
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Full - Table of Contents
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Thursday, 28 November 2013

Giraffe LBC - High Rise - Write Up

I made this: Unknown at 11:29 pm 0 comments
Giraffe LBC


Date:  Tuesday October 2013
Time:  6pm - 8pm
Address: 6 Greek Street, Leeds, LS1 5RW
Tel: (0113) 244 1500


HIGH RISE

J.G. BALLARD

* * * * * SPOILERS * * * * *
* * * * * SPOILERS * * * * *
* * * * * SPOILERS * * * * *

BLURB
Within the concealing walls of an elegant forty-storey tower block, the affluent tenants are hell-bent on an orgy of destruction. Cocktail parties degenerate into marauding attacks on ‘enemy’ floors and the once-luxurious amenities become an arena for riots and technological mayhem.
In this visionary tale of urban disillusionment from the renowned author of Crash and Cocaine Nights, society slips into a violent reverse as the isolated inhabitants of the high-rise, driven by primal urges, recreate a dystopian world ruled by the laws of the jungle.
Huge thanks to the wonderful @AlisonNeale for providing this write up and co-ordinating the Dystopian book club!




Possibly the oddest opening line I’ve ever read and the book only gets weirder. We agreed at the start, however, that this book is not intended to be realistic – although those of us living in blocks of flats could see flashes of realism in the situation – and is instead an allegory and an amplification of the actions of humanity in times of crisis.


High-Rise interestingly reveals that even among people of one class or social stratum, divisions and shifts of allegiance into tribes will take place. There’s always someone to look down on or blame. Politically, this is perhaps a particularly good time to be reading such a book.

The story switches between representatives of the tribes, allowing the reader alone to realise the depth of paranoia among the inhabitants of the high-rise. Alongside the author, residents are shown to be orchestrating and furthering the ‘experiment’, videoing events and manipulating those around them. We found it hard to understand why they wished to exacerbate the situation and at the same time keep it a secret from the outside world. As society breaks down, the adults become primeval cave(wo)men – a behaviour that in the character of Laing, for example, leads to uncomfortable extremes.

So, what did we think of it?

This is the first dystopian novel we have read set in such insular circumstances. In fact, the setting of London is completely irrelevant: the story could be anywhere, and almost at any time. However, it took us longer to read than expected, given that it’s a short book. We found it interesting, but unpleasant; however, we were nearly all ‘gripped’ and eager to reach the end. Said ending was somewhat unexpected, although its lack of a proper conclusion was not unliked by most.

We noted the book’s detached feel: there is no moralising, no judgement – simply documentary narration. On the heels of the recent announcement of a film version, we felt that the last lines of the story seemed particularly cinematic.

At the same time, however, we were uncomfortable with the extremely male perspective: rape was a simple shorthand for the breakdown in society and some of the attitudes to an extent reflect the time in which the book was written. Abusive behaviour also applied to the treatment of animals – again a rather uncomfortable read – but oddly, in this case the author gave more detail and expressed far more sympathy than for the humans.

The scores probably accurately reflect our feelings: it was a worthy novel, well written, and while in no way was it a pleasure to read, we were glad we had.

Score:


6/10


Find fellow members on twitter by searching for #GiraffeLBC.

Follow @GiraffeTweet for details on the deliciousables and their projects nationwide (which this month include an awesome #GiraffesCantDance giveaway!).

Let me know your thoughts by either tweeting me @LeedsBookClub, commenting below or emailing me at leedsbookclub@gmail.com

* * * * * Giraffe LBC * * * * *

10 - FEB - Divergent - Veronica Roth 
09 - JAN - Children of Men - P.D. James GUEST

08 - OCT - High Rise - J.G. Ballard GUEST
07 - JUL - The Miracle Inspector - Helen Smith GUEST 
06 - APR - Logan's Run - Book and Film GUEST
05 - FEB - Watchmen - Comic and Film

04 - NOV - Brave New World - Aldous Huxley - GUEST
03 - OCT - The Iron Heel - Jack London - GUEST
02 - AUG - The Running Man - Stephen King
01 - JUL - Fahrenheit 451 - Ray Bradbury GUEST

How I learned to continue worrying and love the dystopian - GUEST
 

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